Maker (location) Date Description and Fittings Weight (grams) Andrea Amati (Cremona, Italy 1574 7/8 violin; no chin rest, all else ebony 346 Andrea Amati (Cremona, Italy) 1577 No chin rest, all else ebony 353 Hieronymus Amati (Cremona, Italy) 1609 7/8 violin; no chin rest, all else ebony 322 Nicolo Amati (Cremona, Italy) 1628 No chin rest, all else boxwood 381 Nicolo Amati (Cremona, Italy) 1654 “Brookings”; Complete- all ebony 419.7 Antonio Bagatella (Padua, Italy) — Complete- ebony pegs & chin rest, boxwood tp 482 Anselmo Bellosio (Venice, Italy) c1780 No chin rest, all else boxwood 357 Carlo Bergonzi (Cremona, Italy) 1732 “Tarisio”; No chin rest, all else boxwood 355 M.I. Brandstaetter (Vienna, Austria) 1824 Original condition, no chin rest, all else ebony 393 Brescian School (Brescia, Italy) c1630 No chin rest, baroque setup; boxwood pegs & ebony tp 330 Brescian School (Brescia, Italy) c1640 No chin rest, boxwood pegs & ebony tp 402 Giofredo Cappa (Saluzzo, Italy) — Complete- all ebony 436 Tomaso Carcassi (Florence, Italy) 1759 No chin rest, ebony pegs & tp 380 Marco A. Cerin (Venice, Italy) 1792 Original baroque condition; no chin rest, ebony pegs & tp 358 Marco A. Cerin (Venice, Italy) 1792 No chin rest, baroque set up, boxwood pegs 356.2 G.B. Ceruti (Cremona, Italy) c1800 No chin rest, ebony pegs & tp 410 Fran?ois Chanot (Paris, France) 1819 Guitar shaped violin; no chin rest, boxwood pegs 444 Pietro A. Dalla Costa (Treviso, Italy) 1749 No chin rest, all else boxwood 358 Michele Deconet (Venice, Italy) c1748 Birdseye maple back and sides-Complete-all boxwood 410.25 Luigi Fabris (Venice, Italy) 1854 Complete, rosewood except boxwood chin rest 462.5 Luigi Fabris (Venice, Italy) 1885 Complete, all boxwood 436 G.B. Gabrielli (Florence, Italy) — Complete- all boxwood 426.2 G.B. Gabrielli (Florence, Italy) 1761 No chin rest 373.6 G.B. Gabrielli (Florence, Italy) — Stripped, no accessories 306.5 Allesandro Gagliano (Naples, Italy) 1696 Complete- all boxwood 418.2 Ferdinando Gagliano (Naples, Italy) 1784 No chin rest, all else ebony 370 Joseph Gagliano (Naples, Italy) 1791 No chin rest, rosewood pegs, boxwood tp 362 Francesco Gobetti (Venice, Italy) 1702 Complete, all ebony 402 Francesco Gobetti (Venice, Italy) 1717 No chin rest, rosewood pegs & tp 390.5 Matteo Gofriller (Venice, Italy) c1700 Complete- all boxwood 444.7 Matteo Gofriller (Venice, Italy) 1715 Complete- all boxwood 394.7 Matteo Gofriller (Venice, Italy) c1700 Complete- ebony chin rest & tp, rosewood pegs 421 G.B. Guadagnini (Italy) — Complete- all ebony 397 Peter Guarneri (Venice, Italy) c1730 Complete- all boxwood 412.5 Peter Guarneri (Venice, Italy) 1732 No chin rest, all else boxwood 371.5 Antonio Gragnani (Livorno, Italy) 1788 Original baroque condition, no chin rest, ebony fittings 354 Guarneri del Gesú (Cremona, Italy) 1733 “Kreisler”; Complete- all ebony 434.8 J.G. Hamm (Markneukirchen, Ger) 1796 No chin rest; baroque set up, all else ebony 398 Mathias Hornsteiner (Mittenwald, Ger) 1803 No chin rest; all else ebony 367 George Klotz II (Mittenwald, Ger) 1780 No chin rest; all else ebony 395 Carlo F. Landolfi (Milan, Italy) c1760 No chin rest; all else ebony 394 Giovanni P. Maggini (Brescia, Italy) 1623 No chin rest; all else ebony 398 Johann G. Meisel (Klingenthal, Ger) 1735 No chin rest; all else ebony 405 Dom. Montagnana (Venice, Italy) c1715 Complete- all boxwood 403.75 Dom. Montagnana (Venice, Italy) 1742 Complete- boxwood pegs & tp, rosewood chin rest 448 Dom. Montagnana (Venice, Italy) 1731 Complete- all rosewood 463.8 Pietro G. Rogeri (Brescia, Italy) 1715 3/4 violin; no chin rest, baroque set up, ebony fittings 316 Gorgio Seraphin (Venice, Italy) c1750 Complete all boxwood 428.2 Santo Seraphin (Venice, Italy) c1730 Complete, all rosewood 423.2 Santo Seraphin (Venice, Italy) 1732 Complete- all boxwood 435 Santo Seraphin (Venice, Italy) 1735 Complete- all boxwood except ebony chin rest 432.6 Santo Seraphin (Venice, Italy) 1746 No chin rest- all else boxwood 376 Jacob Stainer (Absam, Italy) 1668 Original baroque condition; no chin rest, ebony fittings 319 Antonio Stradivari (Cremona, Italy) 1694 “Harrison”; no chin rest, rosewood pegs, ebony tp 386 Antonio Stradivari (Cremona, Italy) 1698 “Lark”; Complete- all boxwood 415 Antonio Stradivari (Cremona, Italy) 1699 “Castlebarco”; Complete-boxwood pegs & tp, ebony chin rest 448.5 Antonio Stradivari (Cremona, Italy) 1700 “Ward”; Complete-all boxwood 427.7 Antonio Stradivari (Cremona, Italy) 1704 “Betts”; Complete-all boxwood 429.3 Carlo A. Testore (Milan, Italy) 1759 Complete- all ebony 453 Carlo A. Testore (Milan, Italy) 1748 No chin rest, all else ebony 385 Carlo Tononi (Venice, Italy) 1718 Complete- all ebony 429.7 Carlo Tononi (Venice, Italy) — Complete- all rosewood except boxwood chin rest 412.8 Carlo Tononi (Venice, Italy) — All boxwood except rosewood chin rest 404 Johann G. Voigt (Markneukirchen, Ger) 1788 No chin rest; all else boxwood 391 Voller Brothers (London, England) 1890 No chin rest; all else boxwood 386 J.B.Vuillaume (Paris, France) 1871 No chin rest; all else boxwood 378 |
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