中国小提琴网 - Chinaviolin.NET

标题: [分享]贴一些音乐(视频),或将不断更新 [打印本页]

作者: Nomos    时间: 2013-9-10 07:22
标题: [分享]贴一些音乐(视频),或将不断更新
 [分享]贴一些音乐(视频),或将不断更新。</br></br>

多是些非“著名”演奏者。</br></br>

各花入各眼,贴在这里不代表我喜欢或推崇,更不指望得到“老师”们的首肯。您有兴趣了,我们聊几句;鄙视了,请你无视。</br></br>

用什么开头?小无吧,呵呵……</br></br>



作者: Nomos    时间: 2013-9-10 07:32
 

J.S. BACH - Sonatas and Partitas for solo violin


http://player.youku.com/player.php/sid/XNjA3MjIzNjA0/v.swf

Dmitri Makhtin - violin

Sonata No. 1 in G minor, BWV 1001 Adagio Fuga (Allegro) Siciliana Presto Partita No. 1 in B minor, 
BWV 1002 Allemanda - Double Corrente - Double (Presto) Sarabande - Double Tempo di Borea - Double Sonata No. 2 in A minor, 
BWV 1003 Grave Fuga Andante Allegro

BIOGRAPHYBIOGRAPHY

Born in St Petersburg in 1975, Dmitri Makhtin started his musical education at the age of 4 with his parents, both professional violinists at the St Peterburg Philharmonic Orchestra. In 1981 he entered the Conservatory for highly talented children. In 1989 he won the prize of the National Competition for Young Violinists in Novossibirsk, Russia. 

In 1990, he obtained a scholarship from the Young Musicians' Foundation in the USA and gave his first recitals in New-York, San Francisco, Los Angeles and Dallas.

From 1992 to 1995 he continued his musical education with professors P.Hirshborn and H.Krebbers. He won the following international competitions : Kloster Schontal violin competition, Premio Paganini and Louis Spohr, Tibor Varga, Montréal, Sibelius and Pretoria.

Dmitri Makhtin made his French debut in Paris in 1997 with Maestro Svetlanov and the Russian State Symphony Orchestra, then, his American debut in 1998, with the Cleveland Orchestra and Maestro Slatkin. From then on, he appeared with orchestras such as : Het Residentie, Orchestre Philharmonique de Radio France, St Petersburg Philharmonic and Symphony Orchestras, Sydney Radio and TV Orchestras, Monte-Carlo Philharmonic Orchestra, Montpellier National Orchestra, New Sinfonietta Amsterdam, Geneva Chamber Orchestra, Prague Philharmonia, Solistes Européens du Luxembourg and the Swedish Radio Symphony Orchestra.

He performed with conductors such as Evgeny Svetlanov, Leonard Slatkin, James de Priest, Sakari Oramo, Jiri Belohlavek, Alexander Dmitriev, Jerzy Semkow, Yuri Temirkanov, Nikola? Alexeev, Jean-Claude Casadesus.

An active chamber music player, he has performed in prestigious festivals such as the Arts Square in St Petersburg, Lisbonne, Folles Journées de Nantes, Roque d’Anthéron , Musique en C?te Basque, Salzburg and Festival de Saint-Denis.

The Trio Boris Berezovsky, Dmitri Makhtin, Alexander Kniazev, recorded a DVD of Tcha?kovsky's Pieces for piano, violin and cello and Trio Elégiaque “A La mémoire d’un grand artiste” presented on ARTE TV Channel and NHK in Japan. They received for this DVD the 4-star Diapason award.

The CD (Warner Classics International) with B.Berezovsky and A.Kniazev, Chostakovitch's Trio n°2 and Rachmaninov's Trio Elégiaque n°2 received several highest awards like the Choc de la Musique in France, Gramophone in England, Echo Classic in Germany.

A Mendelssohn trios with A.Kniazev and B.Berezovsky were released and received the ? Echo ? award. 

His last disc recorded for Lontano is a selection of Bach’s Sonatas and Partitas.

In 2011, Dmitri Makhtin was invited for a tour with the Orchestre National de Lille and Maestro Casadesus for the 25th anniversary of the orchestra, concerts at the Folle Journée de Nantes, and the Folle Journée Tokyo… He was also invited by Vadim Repin to play at his Carte Blanche.

His forthcoming projects include concerts at : the Folle Journée Tokyo, Bratislava Festival, Jerusalem Music Chamber Festival, Lisbon with the Gulbenkian Orchestra, Ekaterinburg with the Ural Philharmonic Orchestra, France in Rouen and at the Cité de la Musique of Paris, tours in South America (Brazil and Columbia)…




作者: Nomos    时间: 2013-9-10 08:09
 sei solo - extrait 2 - 2e partita de J.S.Bach - Ciaccona

http://player.youku.com/player.php/sid/XNjA3MjM2MTg0/v.swf


SEI SOLO spectacle de Rapha?l Cottin et Hélène Schmitt compagnie La Poétique des Signes

作者: Nomos    时间: 2013-9-10 23:00
 Bach - Violin Partita 2

http://player.youku.com/player.php/sid/XNjA3NTczNjQ4/v.swf


Dmitry Sitkovetsky

Early life[edit source | editbeta]

Dmitry Sitkovetsky was born in BakuAzerbaijan, to violinist Julian Sitkovetsky and pianist Bella Davidovich. His father died in 1958, when Sitkovetsky was just three years old and the family moved to Moscow where Dmitry entered the prestigious Moscow Conservatory. In 1977, aged twenty-two, he decided to leave the Soviet Union. In order to do this, he registered himself as mentally ill. Fortunately his plan worked and Dmitry arrived in New York City on September 11, 1977, where he immediately began studying at the Juilliard School.

Biography[edit source | editbeta]

Dmitry Sitkovetsky has built up a successful career as a violinist, conductor, arranger, chamber musician and festival director. Born in Baku, Azerbaijan, he grew up in Moscow studying at theMoscow Conservatory and after his emigration in 1977, at the Juilliard School in New York. Sitkovetsky has performed as a soloist with a number of the world's leading orchestras including the Berlin, New York and LA Philharmonic Orchestras, Leipzig GewandhausConcertgebouw Orchestra, all of the major London orchestras, NHK, Chicago, Philadelphia and Cleveland orchestras. He has performed at a number of high-profile festivals including Salzburg, Lucerne, Edinburgh, Verbier, Istanbul, Newport, and the IMG Tuscan Sun and Napa Valley Festivals.

Sitkovetsky also has a flourishing career as a conductor. In 1996, he was appointed principal conductor and artistic advisor of the Ulster Orchestra for five years, in 2001, was appointed conductor laureate, and from 2002-2005 held the position of principal guest conductor of the Russian State Orchestra[disambiguation needed]. From 2006–2009, he was the artist-in-residence at the Orquesta Sinfonica de Castilla y Leon (Spain) a position that involved conducting, solo playing, touring, chamber music and masterclasses. In 2003, Sitkovetsky was appointed music director of theGreensboro Symphony Orchestra, a position he holds to this day. As a guest conductor, he has worked with leading orchestras including the London and Royal Philharmonic Orchestras,Academy of St Martin in the Fields, BBC, San Francisco, St. Louis, Seattle and Dallas Symphony Orchestras, Ensemble Orchestral de Paris, Santa Cecilia and the St. Petersburg Philharmonic.

Sitkovetsky is also the founding director of the New European Strings Chamber Orchestra (NES CO), established in 1990, which is composed of distinguished string players from Eastern & Western Europe. Since his successful transcription of Bach’s Goldberg Variations for string trio, he has transcribed more than 30 works mostly for string orchestra by BachHaydnBeethoven,BrahmsDohnanyiBartókTchaikovskyShostakovichStravinsky and Schnittke. He has been a member of ASCAP since 1985 and his transcriptions are published by Doblinger, Sikorski and Schirmer.

Between 1983 and 2002 Sitkovetsky was the Artistic Director of a number of music festivals including the Korsholm Music Festival in Finland (1983–1993 and 2002), Seattle International Music Festival (1992–1997), “The Silk Route of Music” Festival in Baku, Azerbaijan (1999) and worked with a diverse range of artists such as Argerich, Ashkenazy, Bashmet, Davidovich, Harrell, Kissin, Maisky, Ohlsson, Penderecki, Repin, Schnittke and Shchedrin. In May 2007, Sitkovetsky was the Artist-in-Residence at the Bodensee Festival in Germany where he performed a wide variety of activities: soloist, conductor, chamber musician, recitalist, masterclasses and conducted the NES Chamber Orchestra in residence.

He has an active and varied recording career with an extensive discography which includes all the major violin concerti, numerous chamber music works as well as orchestral recordings that he’s conducted. In July 2010, H?nssler Classic released a boxed set of the complete Mozart Violin Sonatas with Antonio Pappano and Konstantin Lifschitz. The same label, recently released Sitkovetsky’s string orchestra transcriptions of works by Shostakovich and Stravinsky with the NES CO as well as Piano Trios of Rodion Shchedrin and Peteris Vasks (H?nssler). His most recent concerto release is Dutilleux’s L'Arbre des Songes with the Concertgebouw Orchestra and Mariss Jansons (Concertgebouw Live). Forthcoming releases include a new recording of the Goldberg Variations for String Trio to celebrate the 25th anniversary of the transcription.

Sitkovetsky’s increasing involvement in contemporary music shows a keen interest in performing new repertoire. He premiered the violin concerti written for him by John Casken (1995) andKrzystof Meyer (2000) and often performs works by Dutilleux, Penderecki, Schnittke, P?rt and Shchedrin who has written several works for Sitkovetsky both as violinist and conductor. In 2005, he performed two major works by John Corigliano - his Second Symphony and the Red Violin Suite in a play/conduct concert. Sitkovetsky’s latest premiere was The Gifts of the Magi written by Jakov Jakoulov after O’Henry’s famous story and narrated by Peter Coyote with the Greensboro Symphony. He also played a unique solo recital of contemporary music at the Verbier Festival in 2009 with a programme by Rodion SchedrinPeteris VasksLera Auerbach and Franghiz Ali-Zadeh.

Recent engagements include conducting the Komische Oper Berlin orchestra, Weimar Staatskapelle, Orchestre National de Lille, New Zealand, Adelaide and Tasmanian Symphony Orchestras, Macau Symphony as well as the Tenerife Symphony. Concerto engagements include the Czech Philharmonic, Berlin Symphony Orchestra, Galicia Symphony, Vienna Symphony, Cincinnati Orchestra, NHK Symphony, Hamburg Philharmonic and the Russian State Orchestra. Recitals include Seattle, Brussels, Seville, Cape Town, London (Wigmore Hall) and performances in the London Philharmonic’s Schnittke Festival. Play/directing engagements included return invitations to the Ensemble Orchestral de Paris and Orchestre National de Lille, the Komische Oper Berlin orchestra as well as the St Petersburg Philharmonic.

Future engagement highlights throughout Europe, USA and Asia include concerto engagements with the Seattle Symphony (Inkinen) and the Concertgebouw (Janssons), Royal Danish Opera Orchestra (Boder), conducting the London Philharmonic and the Zurich Chamber Orchestra and play/directing the Netherlands Radio Chamber Orchestra, Tokyo Metropolitan Symphony Orchestra, Geidai Philharmonic, Symphony Orchestra of New Russia, Minnesota Orchestra, Tonkünstler Orchestra, Württembergisches Kammerorchester Heilbronn, Beethoven Orchestra Bonn, and the San Francisco Symphony’s prestigious New Year’s Eve concert.

Since 1987 he has resided in London with his wife, Susan, and their daughter, Julia, who attends The Queen's College, Oxford.


作者: Nomos    时间: 2013-9-11 13:44
 Bach - Gigue and Chaconne

http://player.youku.com/player.php/sid/XNjA3NjAzNTcy/v.swf

Greg Ewer

作者: zynbb    时间: 2013-9-11 16:04
先顶帖再慢听
作者: 扬扬扬    时间: 2013-9-12 10:41

很想听听哦,就是报错看不到哦,请楼主检查检查嘛。

 

 

(, 下载次数: 105)

作者: Nomos    时间: 2013-9-12 12:54
回LS,可以正常观看的。
作者: Nomos    时间: 2013-9-12 13:00

J.S. Bach-Goldberg Variations for String Trio-part 1 of 4


http://player.youku.com/player.php/sid/XNjA4MTQ3MDQ4/v.swf

作者: Nomos    时间: 2013-9-12 19:49
 J.S. Bach-Goldberg Variations for String Trio-part 2 

http://player.youku.com/player.php/sid/XNjA4Mjg1NDgw/v.swf


Transcription by Dmitry Sitkovetsky

Violin: Dmitry Sitkovetsky
Cello: Misha Maisky
Viola: Gérard Caussé


作者: Nomos    时间: 2013-9-13 07:00

J.S. Bach-Goldberg Variations for String Trio-part 3 of 4



 http://player.youku.com/player.php/sid/XNjA4NDEzNTYw/v.swf
作者: zh_e_mail    时间: 2013-9-13 07:14
 LZ贴了这么多的好看视频,都相当的好,它们都是西特考维斯的。上面的这个重奏也真好听,除了西特,中提是巴什梅特吧,大提是梅斯基。那时他们还都是很年轻的,尤里中提拉的最好了,很大程度上是他的中提最好,不知是否就是这把琴。看来前面的介绍西特出生于阿塞拜疆,年轻是在莫斯科音乐学院。以前郑延义对他很挺。他拉琴音色美,细腻。这三个可都算是俄罗斯学派吧。不过我可不愿提什么学派,他们都是顶尖高手。梅斯基更是有个性,跟阿格里奇有过亲密合作。
作者: Nomos    时间: 2013-9-13 07:29
以下是引用zh_e_mail在2013-9-13 7:14:00的发言:
 LZ贴了这么多的好看视频,都相当的好,它们都是西特考维斯的。上面的这个重奏也真好听,除了西特,中提是巴什梅特吧,大提是梅斯基。那时他们还都是很年轻的,尤里中提拉的最好了,很大程度上是他的中提最好,不知是否就是这把琴。看来前面的介绍西特出生于阿塞拜疆,年轻是在莫斯科音乐学院。以前郑延义对他很挺。他拉琴音色美,细腻。这三个可都算是俄罗斯学派吧。不过我可不愿提什么学派,他们都是顶尖高手。梅斯基更是有个性,跟阿格里奇有过亲密合作。

呵呵,谢谢您的关注。这个巴赫的BWV988是巴赫最重要的作品之一。

很少看乐评,您提到的郑延义我不知道。我靠自己耳朵收货。

是的,他们都是俄罗斯学派的。

好东西多如牛毛,慢慢贴,呵呵。
作者: Nomos    时间: 2013-9-13 07:32
J.S. Bach-Goldberg Variations for String Trio-part 4 of 4

http://player.youku.com/player.php/sid/XNjA4NDM5MjMy/v.swf

Transcription by Dmitry Sitkovetsky

Violin: Dmitry Sitkovetsky
Cello: Misha Maisky
Viola: Gérard Caussé


作者: Nomos    时间: 2013-9-13 07:50
虔卑的巴赫分界线</br></br>

-------------------------------------------------------------------</br></br>

听个简单的曲子——Canon

作者: Nomos    时间: 2013-9-13 08:00
 Pachelbel Canon in Barcelona

http://player.youku.com/player.php/sid/XNjA4NDQ1Nzk2/v.swf

Pachelbel Canon in D played by street artist @ Barcelona.


巴塞罗那街头艺人,哦,不对,不能这样称呼,要称为艺术家才是。这音乐秒国内的任何“大师”几条街,叫艺人让这些“大师”们情何以堪啊!别说我说话不客气,有不服气的,拉出来PK下,看看你能不能秒了街头艺人。

作者: Nomos    时间: 2013-9-13 11:40
 Pachelbel Canon in D Original Instruments

http://player.youku.com/player.php/sid/XNjA4NDQ2MzI0/v.swf

Voices of Music


 毫无疑问,从各方面来说都是最顶尖的演绎之一。

作者: Nomos    时间: 2013-9-13 16:28
 Pachelbel - Canon & Gigue

http://player.youku.com/player.php/sid/XNjA4NTUxODUy/v.swf

AAM

作者: Nomos    时间: 2013-9-14 14:27

H?ndel: Water music Music for the royal firework


http://player.youku.com/player.php/sid/XNjA4OTM5ODAw/v.swf

Le Concert Spirituel
Hervé Niquet

作者: dayu352    时间: 2013-9-14 17:09
感谢分享昂
作者: Nomos    时间: 2013-9-15 00:04
 Handel - Music for the Royal Fireworks

http://player.youku.com/player.php/sid/XNjA5MTUzMzQ4/v.swf

J.Savall

作者: Nomos    时间: 2013-9-16 17:46

Bach, Prelude, Cello suite n. 1


http://player.youku.com/player.php/sid/XNjA5Nzg3MjI4/v.swf


 
作者: Nomos    时间: 2013-9-16 19:34
韩愈说文不读三代以下,这里是乐不听贝多芬以后,呵呵。
作者: Nomos    时间: 2013-9-17 15:16
 J.S.Bach - BWV1004, Baroque Violin

http://player.youku.com/player.php/sid/XNjEwMTM2MDA0/v.swf

作者: Nomos    时间: 2013-9-17 19:02
巴赫第三勃兰登堡协奏曲,第一、二乐章


http://player.youku.com/player.php/sid/XNjEwMjU4MTY4/v.swf

作者: Nomos    时间: 2013-9-17 20:38
 巴赫第三勃兰登堡协奏曲,第三乐章

http://player.youku.com/player.php/sid/XNjEwMjkxNTgw/v.swf

作者: Nomos    时间: 2013-9-18 06:02
巴赫 无伴奏小提琴奏鸣曲和帕蒂塔 BWV1004, 巴洛克小提琴(2)

http://player.youku.com/player.php/sid/XNjEwMzU5MjMy/v.swf

作者: Nomos    时间: 2013-9-18 15:47
看到"隔壁"转了我转的视频,也罢,转吧,这里的视频期望能让更多人看到。也只有更多人看到了,才能知道国内的音乐教育只是自以为是的井底之蛙。在音乐上,国人也需要彻底的启蒙。
作者: Nomos    时间: 2013-9-18 16:02
想起前面有人说“您认为不用塞托,和肩托就是拉可以轻松完成巴赫小无全曲的演奏,而且是顶尖水准的。 如果真的那么简单,干脆拉巴哈无伴奏,大家就都不用塞托和肩托,不就行了。 ”

呵呵,我会连续贴几个BWV1004,都是不用腮拖,不用肩垫,不夹琴的。拉得如何,自己听吧。对于自己不懂的事儿,最好的做法是多看少说。
作者: Nomos    时间: 2013-9-18 16:41
 科莱利 大协奏曲 D Major, Op.6 No.4

http://player.youku.com/player.php/sid/XNjEwMzc4MzE2/v.swf

作者: zh_e_mail    时间: 2013-9-18 17:31
以下是引用Nomos在2013-9-18 16:02:00的发言:
想起前面有人说“您认为不用塞托,和肩托就是拉可以轻松完成巴赫小无全曲的演奏,而且是顶尖水准的。 如果真的那么简单,干脆拉巴哈无伴奏,大家就都不用塞托和肩托,不就行了。 ”

呵呵,我会连续贴几个BWV1004,都是不用腮拖,不用肩垫,不夹琴的。拉得如何,自己听吧。对于自己不懂的事儿,最好的做法是多看少说。
哈,Nomos 先生,我承认前面是我说的,当然您贴的这些视频大多都比较精彩。作为古琴演奏,不用腮拖,不用肩垫,不夹琴的方法,我想这里并不是论述这些方法的先进,或者就是顶尖水平的代表。那只是巴洛克时期,古琴演奏的方法而已。而时至今日,国外也有这样的复古拉法,有的是专门,有的也不排斥现代的,我想作为水平比较高的,都是可以尝试去演奏各类风格,各种方法,包括古琴,及现代琴的演奏方法。
我的小孩现在正在哥本哈根,今天恰巧要用古琴,在其小岛教堂演奏许多独奏曲子,与其它古乐器如古笛等还有合奏。之前在国内也参加过巴洛克演奏,显然没有专门深入接触吧。这次时间也是很紧张,之前他选定了丹麦皇家提供的古小提琴,为他演出也专门更换的真正的羊肠弦,对着光,可以看出透明的。虽然这些古琴是相当名贵,他们也不排斥可以用儿子自己的现代琴演奏。昨天,古琴专家对儿子说,古琴的定弦是按GDGD,而非GDAE现代琴,那么指法跟现代琴演奏就有很大不同,并让儿子当场试奏,儿子当即拉了一个曲子的开头部分,他非常吃惊,说既然你有这个能力,那么就完全按照古琴演奏吧。当然接下来,那么多的曲目,并且今天晚上马上就演出了,曲子也是之前没有接触的,所有儿子还是很有压力,看到他网上留言,昨天又是在琴房里,练到半夜,感觉还没有完全满意,今天还有继续。在此我也祝儿子今晚能有好的表现。当然作为儿子以前也是没有真正接触过古琴演奏,他拉琴本身是不用肩托(其实这也只是个人习惯,我感觉,并不说明什么)  来到丹麦短短的时间与这里的音乐家接触,感觉他是备受欢迎,无论独奏,重奏,大家都是非常认可。他作为重奏一提,领大家排练,大家都非常听他的,都是按他的意图要求去做,并且心很齐,反而比国内还要感到惬意,轻松。反正我感觉,虽然以前儿子没有接触过古琴演奏,就这么短时间,甚至在一天内把它熟悉,并且要有那么多的独奏曲目,我想他还是能够胜任的。这里古琴演奏没什么神秘,关键还是感悟体会吧。当然我随便瞎说,不一定对。此外Nomos先生贴的这些视频,我都是很喜欢,几乎每一个,我都要欣赏,我不排除古琴演奏风格,也喜欢现代。之所以有现代演奏的存在,肯定有它的道理,毕竟音乐、时代是发展的,乐器改良,扩大音效和感染力,现代也是尤其功绩的,也肯定有它的优势的。


作者: Nomos    时间: 2013-9-18 18:52
 呵呵,说几点:

1.狭义地说,我是“俄黑”。曾经很喜欢毛子的东西,比如16岁时听磁带迷恋悲怆、天鹅湖。现在看来,苏俄的东西价值有限。而在国内,特别是帝都,从曲目到演奏,苏俄东欧是绝对的主流。放眼全球,还是那话——各玩儿各的,AAM不会去演谐谑和塔兰泰拉,毛子也不会玩儿水上音乐,更不会演BWV232。其中牵扯问题太多,这里不讨论。我只是说,苏俄不是唯一。

2.“先进”的说法本身就有问题。各玩儿各的,是否顶尖也不需要其他人认可。

3.国内巴洛克演奏,如果只是私下玩儿下的话,怎么都行。在音乐厅卖票的话,就要有点样子。A≠415或更低的话,其他免谈。这不是415和440(441或442)的数字的差别,这是质的差别。我真是佩服Kay Johannsen 先生的坚韧与忍耐。看了他们的勃兰登堡排练,看来前面HOGWOOD给学生们的大师课是白上了。

4.欧美稍微好些的教堂都会经常有重奏演出,水平有高有低。在教堂演出,乐队水平不是主要考虑的因素。

5.欧美一般小镇都有数量不同的Bande。作为访问学者,被委任重奏一提非常正常,也是必然。衡量演奏者水准的,是是否能找到可以接受你的正规乐团(队),并得到工作签证。

6.古琴演奏是没什么神秘,你说是“感悟体会”,要我说,简单些就是审美取向。呵呵,这审美取向可是个大大事情啊,这不是一两天可以提高的。

7.你说“,我不排除古琴演奏风格,也喜欢现代。之所以有现代演奏的存在,肯定有它的道理,毕竟音乐、时代是发展的,乐器改良,扩大音效和感染力,现代也是尤其功绩的,也肯定有它的优势的。”

我说什么呢?有了你心里的“对”,其他就是“错”了,有了你认为的“改良”,其他就是“落后”了。有了你推崇的“优势”,其他就是“劣势”了。举例子说,我上面贴的好些视频的演奏者,按帝都的学院要求,附小都进不了。但是,这都仅仅是你(们)的认为。

8.你曾经说过“一般认为对小提琴发展贡献最大,里程碑式的人物是:帕格尼尼,克莱斯勒和海费兹。如果再往后发展,或许要加上穆特,当然也许是帕尔曼。这要靠后人,推举。”

客观地说,国内艺术院校学生的素质普遍较差。除了老师教过的,说起作曲家演奏家,他们多半是一脸的无知。等学生们不再把海大师当神了,不再把穆特和帕尔曼奉做偶像了,或许我们的音乐还能有救。

作者: Nomos    时间: 2013-9-19 08:09
 巴赫 勃兰登堡协奏曲

http://player.youku.com/player.php/sid/XNjEwODE1MDc2/v.swf

作者: Nomos    时间: 2013-9-19 20:57
 Johann Pachelbel: Canon in D

http://player.youku.com/player.php/sid/XNzAxODI0MTY=/v.swf



作者: Nomos    时间: 2013-9-20 09:48
 巴赫 无伴奏小提琴奏鸣曲和帕蒂塔 BWV1004, 巴洛克小提琴(3)

http://player.youku.com/player.php/sid/XNjExMTA5NzM2/v.swf

作者: Nomos    时间: 2013-9-21 13:06
 巴赫 无伴奏小提琴奏鸣曲和帕蒂塔 BWV1004, 巴洛克小提琴(4)

http://player.youku.com/player.php/sid/XNjExNTA4MzA4/v.swf

作者: Nomos    时间: 2013-9-21 13:33
另开一贴来转小无,不在专门贴巴洛克琴的小无了,这里随听随贴,当然不会涉及贝多芬以后的作曲家。

艺术的不是科学。艺术的圈子太小了。都在学舞蹈的,一个学拉丁,一个学芭蕾;同样3个背琴的,一个是拉“把裆比母亲(把裆比母亲,就是说裆是妈,那你爸是谁?笑死了!)的,一个是拉流浪的,一个是拉巴赫的…… 完全是风马牛不相及。

有些人天生就是为某些曲子的,比如帕尔曼,他拉辛德勒名单是老大;再比如穆特,她拉巴赫不被认可……  成天浸淫在维尼亚夫斯基里,想拉好Muffat、Tartini?just kidding!




作者: Nomos    时间: 2013-9-22 22:54

勃兰登堡协奏曲 阿巴多


http://player.youku.com/player.php/sid/XMTAzOTUwMjQ4/v.swf

作者: Nomos    时间: 2013-9-23 20:32
 Mozart- Piano concerto no. 22 in E flat major, KV 482 - Freiburg Baroque Orchestra

http://player.youku.com/player.php/sid/XNjEyNTk4NzMy/v.swf

作者: Nomos    时间: 2013-9-24 11:42
 Handel Concerto Grosso in C Mojor

http://player.youku.com/player.php/sid/XNjEyNzk1NTky/v.swf



作者: Nomos    时间: 2013-9-26 23:39
 Mozart K.525 1.

http://player.youku.com/player.php/sid/XNjE0MDUwOTMy/v.swf

作者: Nomos    时间: 2013-9-27 18:05
 Mozart K.525 1.

http://player.youku.com/player.php/sid/XNjE0MzU1MzY4/v.swf

作者: Nomos    时间: 2013-9-27 18:26
 Mozart K.525 3.

http://player.youku.com/player.php/sid/XNjE0MzY5MTg0/v.swf

作者: Nomos    时间: 2013-9-27 19:30
Mozart K.525 4.

http://player.youku.com/player.php/sid/XNjE0Mzg0NjA4/v.swf

作者: Nomos    时间: 2013-9-28 13:36
Mozart - String Quartet No. 21 in D major, K. 575

http://player.youku.com/player.php/sid/XNjE0MTA1NDI4/v.swf


作者: Nomos    时间: 2013-10-2 20:24
http://player.youku.com/player.php/sid/XNjE2MzYzMDEy/v.swf

AVISON ENSEMBLE

作者: wghlf    时间: 2013-10-2 21:38
好贴,顶!
作者: Nomos    时间: 2013-10-4 18:15
 隔壁提到Peter Spissky,未曾耳闻,赶快找来学习些。

(, 下载次数: 132)


Peter Spissky studied violin at the Music Academy in Bratislava, Slovakia (soloist diploma 1991), and the Music Academy in Malm?, Sweden, where he received the soloist diploma in 1995.


Peter Spissky is a concertmaster in Concerto Copenhagen; an orchestra recognised as one of the leading early music ensembles in Europe. 

With CoCo, Peter is involved in concert tours (i.e. Musikverein in Vienna, Concertgebouw Amsterdam) and concerts and recordings with conductors such as Lars Ulrik Mortensen, Paul Hillier, Andrew Lawrence-King and Alfredo Bernardini.


In 2009 Peter Spissky co-founded a new orchestra in Copenhagen with a group from the younger generation of Scandinavian players called Camerata ?resund. 

Camerata is launching its official debut in November 2010 with a series of concerts called “Bach on the Bridge” including Bach violin concertos.


As a guest concertmaster/conductor he appears regularly with Barokkanerne in Oslo and Camerata Darammatica in Reykjavik. 

As a violinist he often joins Festspiel Orchester G?ttingen (with Nicholas McGegan) and Boston Early Music Festival Orchestra (with Stephen Stubbs and Paul Odette). 


He is a member of The Baroque Fever ensemble with concert invitations from all around Europe.


Peter Spissky is a teacher in baroque violin at the Musikh?gskolan in Malm?, Det Kongelige Danske Musikkonservatorium in Copenhagen and gives Master Classes all around Scandinavia.


In 2010 recipient of Laurens Bogtman Foundation Honorary  Scholarship.


In September 2010 he was accepted at the Lund University for a 5-year artistic research program leading to a doctorate.


http://www.konstnarligaforskarskolan.se/wordpress/?page_id=150



作者: Nomos    时间: 2013-10-4 18:18
Alertness and sensibility of concert master Peter Spissky, Bach Marathon, March 2012_2

http://player.youku.com/player.php/sid/XNjE3MDk2NDg4/v.swf

29/3 2012 Concerto Copenhagen played all four Orchestral Suites by J. S. Bach.
Uffe Borgwardt from Cubus Film registered his impressions from the preparations and the concert.

作者: Nomos    时间: 2013-10-4 18:30
excellent piece- Antonio Vivaldi- Koncert pre husle e mol, RV 275 /III./

http://player.youku.com/player.php/sid/XNjE3MTAyMjg4/v.swf


Antonio Vivaldi: Koncert pre husle e mol, RV 275 /III./
Peter Spi?sky - violino
Solamente Naturali - Milo? Valent - leader
/Live / Recorded by: Jaroslav Stráňavsky Music Master Slovakia

作者: zxwf    时间: 2013-10-5 11:19
感谢分享!!!
作者: Nomos    时间: 2013-10-6 23:47
 I Musici di Roma

http://player.youku.com/player.php/sid/XNjE3OTkxNjg4/v.swf


作者: Nomos    时间: 2013-10-7 21:56
 I Musici di Roma -- Ravello Festival 2010

http://player.youku.com/player.php/sid/XNjE4MDY1Njk2/v.swf




作者: Nomos    时间: 2013-10-7 22:33
 I MUSICI 

http://player.youku.com/player.php/sid/XNjE4NDEwMzA0/v.swf

作者: Nomos    时间: 2013-10-12 20:23
 Vivaldi - Opus 3 no 6 in A minor - L'estro Armonico 

http://player.youku.com/player.php/sid/XNjIwNTcwNjcy/v.swf

AAM


作者: 527748    时间: 2013-10-15 21:26
感谢分享昂
作者: Nomos    时间: 2013-10-18 16:22
 BWV1030 for Flute and obbligate Harpsichord

http://player.youku.com/player.php/sid/XNjIyODU4NTgw/v.swf



作者: catchrye    时间: 2013-10-18 18:11
建议Nomos老师以后视频转到土豆网,这些视频网站上传后都会自己转码,出来后优酷的音质貌似没有土豆的好。
作者: Nomos    时间: 2013-10-18 18:28
以下是引用catchrye在2013-10-18 18:11:00的发言:
建议Nomos老师以后视频转到土豆网,这些视频网站上传后都会自己转码,出来后优酷的音质貌似没有土豆的好。

嗯,曾经考虑多,就是有些u喜欢土豆的广告。
有些视频是我自己“制作”,比如今天的;那些下载的视频基本都有更清晰的原始文件,您有兴趣的话,我发给您参考。
作者: catchrye    时间: 2013-10-18 23:43
以下是引用Nomos在2013-10-18 18:28:00的发言:

嗯,曾经考虑多,就是有些u喜欢土豆的广告。
有些视频是我自己“制作”,比如今天的;那些下载的视频基本都有更清晰的原始文件,您有兴趣的话,我发给您参考。

原来如此,谢谢您的好意。

有些墙内外网络上的视频我自己也能看到,当然您自己制作的就没有了。

至于发给我的话,我倒是有个建议:您的这些视频原文件与更清晰的“原始下载文件”不妨放进百度云网盘里,然后分享链接让大家都有机会下载到质量更好的视频。

作者: Nomos    时间: 2013-10-27 13:39
 安德拉什?席夫演奏巴赫作品音樂會 - 法國組曲 法國風格序曲 義大利協奏曲 ( 2010年萊比錫巴赫音樂節 )

http://player.youku.com/player.php/sid/XNDg5OTE2NDA4/v.swf

安德拉什?席夫演奏巴赫作品音樂會 - 法國組曲 法國風格序曲 義大利協奏曲 
( 2010年萊比錫巴赫音樂節 )

András Schiff plays Bach: French Suites, French Overture (h), Italian Concerto 
0:00:00:
French Suite No. 1 in D minor BWV 812 
0:13:02:
French Suite No. 2 in C minor BWV 813 
0:27:18:
French Suite No. 3 in B minor BWV 814 
0:40:50:
French Suite No. 4 in E flat BWV 815
0:52:30:
French Suite No. 5 in G BWV 816 
1:08:50: 
French Suite No. 6 in E BWV 817 
1:26:25:
Overture in French style in B minor BWV 831
1:58:09: [Encores] 
Italian concerto in F BWV 971





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